Articulating the Cosmopolitan in the Theatre

This post is a continuation of my 12 August post on my seduction to cosmopolitanism, which may be viewed here. My attraction to cosmopolitanism vis-à-vis the theatre experience is based on a vision of community that may be perceived in the relationship among audience members and the relationship between the audience and the performance. The…

Seduced by Cosmopolitanism

Some social scientists look at cosmopolitanism as a political concept. Others look at it as a world-view or a disposition. Some believe that cosmopolitanism is an actual and existing reality. Others view it as the other side or a critique of globalization. My fascination with cosmopolitanism is, of course, from the various academic conceptions –…

Throwback: Komedya Fiesta 2008 at the University of the Philippines Diliman

To celebrate the centenary of the University of the Philippines (UP), the College of Arts and Letters at the Diliman Campus held the Komedya Fiesta 2008. For the whole month of February, the campus was dressed with traditional fiestas culminating with performances of komedya, a traditional Hispanic theatre form that has been Filipinized. Conceived in…

A Lady Director in the Philippines Named José

Ariane Mnouchkine, the founding Artistic Director of Théâtre du Soleil in France, abhors the use of the word production to refer to a theatre piece. In an interview with Andrew Dickson for the Guardian, Mnouchkine remarks, “I hate the word ‘production.’ It’s a ceremony, a ritual—you should go out of the theatre more human than when you…

Paris, moi aussi, je t’aime, mon amour (Part 2 of 2)

And so the flaneur in me started to walk. It is something I don’t usually do (or more so, I cannot do) in Manila. But then, my friend Oscar, who accompanied me in Paris, informed me that I should be taking care of my belongings. He even remarked: “You’re in Paris!” Me musing: “huh?” Then,…