This post is a continuation of my 12 August post on my seduction to cosmopolitanism, which may be viewed here. My attraction to cosmopolitanism vis-à-vis the theatre experience is based on a vision of community that may be perceived in the relationship among audience members and the relationship between the audience and the performance. The…
Throwback: National Sarsuwela Festival 2009 at the University of the Philippines Diliman
After the success of the University of the Philippines (UP) Komedya Fiesta 2008, Virgilio Almario, National Artist for Literature and then College of Arts & Letters (CAL) Dean proclaimed that after komedya, the sarsuwela is the second national theatre form in the Philippines truly deserving to be examined. In his opening remarks in the Sarsuwela…
Seduced by Cosmopolitanism
Some social scientists look at cosmopolitanism as a political concept. Others look at it as a world-view or a disposition. Some believe that cosmopolitanism is an actual and existing reality. Others view it as the other side or a critique of globalization. My fascination with cosmopolitanism is, of course, from the various academic conceptions –…
Throwback: Komedya Fiesta 2008 at the University of the Philippines Diliman
To celebrate the centenary of the University of the Philippines (UP), the College of Arts and Letters at the Diliman Campus held the Komedya Fiesta 2008. For the whole month of February, the campus was dressed with traditional fiestas culminating with performances of komedya, a traditional Hispanic theatre form that has been Filipinized. Conceived in…
Nope, it’s not only about the Geisha, but something more in Kyoto! (Part 3 of 3)
Then there is the Nijō Castle (二条城), built in 1603 as the official residence of Tokugawa Ieyasu, the first shogun of the Edo Period (1603-1867). But Ieyasu did not see the completion of the castle. It was his grandson Iemitsu who completed the palace buildings inside the complex some 20 plus years later after Ieyasu’s death….
A Lady Director in the Philippines Named José
Ariane Mnouchkine, the founding Artistic Director of Théâtre du Soleil in France, abhors the use of the word production to refer to a theatre piece. In an interview with Andrew Dickson for the Guardian, Mnouchkine remarks, “I hate the word ‘production.’ It’s a ceremony, a ritual—you should go out of the theatre more human than when you…
Lakwacha with my KRM loves or why travelling with peers may be a better option
Almost a decade ago, my flatmates and I decided to have a weeklong break in Phnom Penh and Seam Reap in Cambodia, Bangkok in Thailand and Bintan in Indonesia. It was what at the National University of Singapore (NUS) calls the Reading Week, a weeklong break for students to do what else is expected of…
Nope, it’s not only about the Geisha, but something more in Kyoto! (Part 2 of 3)
From the Golden Pavilion, I took a 35-minute bus ride going to Ryōan-ji (竜安寺、龍安寺) or the Temple of the Peaceful Dragon. Some visitors call it the Silver Pavilion. Going to the actual site was a bit tricky. The bus stop was quite far from the actual site. I had to navigate a long street then I…
Paris, moi aussi, je t’aime, mon amour (Part 2 of 2)
And so the flaneur in me started to walk. It is something I don’t usually do (or more so, I cannot do) in Manila. But then, my friend Oscar, who accompanied me in Paris, informed me that I should be taking care of my belongings. He even remarked: “You’re in Paris!” Me musing: “huh?” Then,…
Nope, it’s not only about the Geisha, but something more in Kyoto! (Part 1 of 3)
“Oh, you are going to see some Geisha?” asked by a friend when I told him I could not go on the tour that our hosts at Osaka University prepared. (I told our hosts, I already had a tour of the city on the day of my arrival. On my first day, I already visited…
Tanghal Kultura 